After the full redesign at GoFundMe, I was able to run with the materials developed by Koto and animate a hype video to celebrate all of the new details. The turnaround time was tight, and the changes were pretty constant, but I managed to hold onto most of my intricate transitions. I was also responsible for scouting audio and making sure that edits stayed lose enough to tighten at the final hour when we finally settled on a music track.